Combining shuddering, groove-laden funky soul and folky handcrafted acoustics, singer/songwriter and guitar player Ben Harper enjoyed cult status during the course of the ’90s before gaining wider attention toward the decade’s end. As a young artist, Harper combined elements of classic singer/songwriters, blues revivalists, Jimi Hendrix, and such ’90s jam bands as Blues Traveler and Phish, which meant that he was embraced by critics and college kids alike. Despite the commercial success of the radio single Steal My Kisses” in 2000, Harper continued to explore different musical textures into the 21st century, enjoying a solid fanbase at home and a considerable amount of fame in Europe, where was named 2003’s “Artist of the Year” by the French branch of Rolling Stone. Ben is known to often play acoustic guitar and lap steel in addition to electric guitar.
Let’s look at what gear and equipment has been seen in Ben Harper’s Guitar Rig.
Notes: Ben Harper admits he has tons of guitars and loves collecting them. We can’t find a ton of
exacts on what’s in his collection, but we have an idea
– Martin Model M38 Acoustic
– Martin 00-18 Acoustic
– 2005 Martin HD-28VE
– Martin Ben Harper guitar
– Asher BEN HARPER SERIES II SIGNATURE MODEL LAP STEEL GUITAR
– Asher guitars (Electro Hawaiian, “Dual Tone” Lap steel)
– Weissenborn guitars (Canopos, Kona)
– Weissenborn Teardrop (circa 1930s)
– Two Style 4 (1925 and 1927) Weissenborns
– Dart guitars (Bowl Back, Hawaiian)
– Maton guitars (custom lap steels, a ECW80 acoustic and a MS 2000 STD electric)
– Cole Clark Guitars (Fat Lady acoustic, Mistress Electric, Violap)
– The Black Lap by Rob Mondell
– 2004 and Custom 2005 National Reso-Phonic
– Model D Western squareneck
– Various slide and steel guitars
– ’40s Gibson LG-2 Vintage Acoustic
– Gibson J-50 Vintage Acoustic
– Gibson J-45
– ’50s Gibson J-160
– 1957 Fender sunburst Strat
– Fender Telecaster (custom shop)
– Gibson ES-335
– ’50s Gibson Les Paul Junior
– ’50s Gibson Melody Maker
– Gibson Double neck (6-string/12-string)
– Gibson EDS-1275 Double neck
– Gibson ’56 Les Paul Special (singlecut, TV yellow)
– Fraulini 12-string
Amps and Cabinets
– Dumble Overdrive Special and a Dumble 1×12(has a variety of these from different years – 80’s, 70’s, and new)
– Demeter 100 watt head TGA-2
– Demeter 4×10 and 2×12 cabinets
– ’50s Fender tweed Bassman
– 1969 Marshall 100-watt amp head
– Marshall Cabinet
– Roccaforte HG100 Amp
– Roccaforte 2×12 cabinet
– Custom built Roccaforte non master 100 watt head
Effects and More
– Seymour Duncan ’59 pickups
– Sunrise pickups
– Seymour Duncan Mag Mic
– Ibanez TS808 Tube Screamer (also uses Maxon)
– Vox V847 wah wah pedal
– Ibanez Analog Delay
– Electro-Harmonix Small Stone Phaser
– Boss compressor
– SCHEERHORN Chrome Plated Slide
– Demeter Fat control
– Demeter Tremulator
– Demeter Compulator
– Ernie Ball Volume pedal
– Dunlop Crybaby wah
– Boss TU-2 tuner
– Neumann KMS 105 vocal microphone (live)
– Hermida Zendrive
– Electro-Harmonix #1 Echo
– Univox U-1093 Super-Fuzz
– Budda Budwah
– Zvex Super Hard-On
– Radial J48 active direct box
– Scheerhorn steel slide bar
– D’Addario EJ16 light-gauge phosphor bronze strings (acoustic guitars)
– D’Addario EJ17 medium-gauge phosphor bronze strings (lapsteel)
– D’Addario EXL115 Strings for Electric Guitar
More infos in the Forum www.benharperfrance.com
C.F. Martin & Co. is celebrating a landmark milestone with their 175th anniversary! Last year, Martin unveiled a new booth last year accommodating intimate acoustic performances by Martin artists at the Winter NAMM show. Expect more artists, booth demonstrations and new guitars than ever before.
Be sure to stop by and check out all the new Martin Guitars models to be introduced at the 2008 Winter NAMM Show in Anaheim, CA.
D-28M ELVIS PRESLEY COMMEMORATIVE LIMITED EDITION (175 total) and D-28 ELVIS PRESLEY COMMEMORATIVE EDITION
While best known for his singing, Elvis’ guitar playing served him well, especially in the early years of his career. His pulsing, rhythmic strumming was featured on many of his early recordings and on stage in the mid-1950s, when Martin was his guitar. He began with a used 000-18 in 1954, but within months had traded it in for a 1942 Martin D-18. The next year he got a 1955 D-28; fitted with a custom-tooled leather cover with his name across, it became perhaps his most recognized acoustic due to the many Elvis concert photos in which it appears. A Martin also was Elvis’ main acoustic at the end of his career. He played a mid-1970s D-28 during his last concert tour and it was the last guitar he played on stage in June of 1977.
Limited to just 175 guitars to mark C.F. Martin’s 175th anniversary, the D-28M Elvis Presley Commemorative Limited Edition features rare Madagascar rosewood back and sides, an Adirondack spruce top and Adirondack spruce braces for brilliant, powerful tone. The tooled leather guitar cover made Elvis’ original D-28 instantly recognizable. Therefore the D-28M Elvis Presley Commemorative Limited Edition is outfitted with a tooled leather guitar cover modeled after the original and is delivered in a special oversized vintage Geib style hardshell case to accommodate the guitar and cover.
The unrestricted D-28 Elvis Presley Commemorative Edition features back and sides of East Indian rosewood and a top of Carpathian spruce. The combination of these fine tonewoods produces a responsive guitar with impressive volume, punch and sustain. The D-28 Elvis Presley Commemorative Limited Edition comes sans leather guitar cover with a vintage Geib style hardshell case, but the cover may be ordered at extra cost, an upgrade that also includes the oversized case.
The Elvis motif of these dreadnoughts begins on the polished black ebony headstock, where the silhouette of the King and his Martin – modeled after a famous 1956 photograph – are inlaid in mother of pearl and black pearl. Small pearl-bordered abalone star position markers inlays at the 5th, 7th (two), 9th, 15th, and 17th frets on the fingerboard flank Elvis’ signature at the 12th fret. The heelcap features his “TCB Lightning Bolt” logo inlaid in mother of pearl – a design that originated with the “Taking Care of Business” pendants Elvis gave to friends.
Factory-installed electronics (those Martin offers without side controls) can be ordered as an extra-cost option. Left-handed instruments may be ordered at no additional cost, though tooling on the leather guitar cover cannot be reversed. Each D-28M and D-28 Elvis Presley Commemorative Limited Edition guitar bears two interior labels specially designed for these editions. The primary interior label for the D-28M Elvis Presley is numbered in sequence with the total number of guitars in the edition, while the primary label for the D-28 Elvis Presley is numbered in sequence without total: both include a holographic, official “Elvis Presley Signature” sticker of authenticity. Authorized C.F. Martin dealers will begin taking orders for the Martin D-28M and D-28 Elvis Presley Commemorative Limited Edition guitars immediately and participating dealers will be listed on the Martin Guitar website, www.martinguitar.com.
000-42M ERIC CLAPTON LIMITED EDITION (250 total)
Since the original 000-42EC Eric Clapton Signature Edition was introduced in 1995, Clapton has explored the sonic subtleties of various tonewood combinations in the 000 Martin guitars that bear his name, but the 000-42M Eric Clapton Limited Edition may well boast the most exciting tonewood combination yet. The top is Carpathian spruce, which blends the power and clarity of Adirondack spruce, and the warmth and responsiveness of Italian alpine spruce. The back and sides are Madagascar rosewood, prized for its uncanny resemblance in both appearance and rich resonance to the now-endangered Brazilian rosewood.
Reminiscent of the Brazilian rosewood 000-42ECB Eric Clapton Signature Edition Martin produced in 2000, the 000-42M Eric Clapton Limited Edition features spectacular abalone pearl appointments throughout. In the tradition of classic Martins from the early 1930s and before, the back of the headstock bears the historic “C.F. Martin” pressure stamp. The ebony fingerboard showcases Style 45 abalone pearl snowflake inlays with Eric Clapton’s signature inlaid in mother of pearl between the 19th and 20th frets.
Each 000-42M Eric Clapton Limited Edition bears an interior label personally signed by Eric Clapton and Martin Chairman C.F. Martin IV, and individually numbered in sequence with the edition total. The guitars are delivered in with a deluxe Geib™ style five-ply hardshell case: left-handed instruments may be ordered at no additional charge. Authorized C.F. Martin dealers will begin taking orders immediately for the 000-42M Eric Clapton Limited Edition, which is limited to no more than 250 special guitars. A list of participating dealers will be posted on the Martin website, www.martinguitar.com approximately one month after the model’s introduction.
D-41 PORTER WAGONER CUSTOM EDITION
Among Porter Wagoner’s most cherished accolades was his induction into the Grand Ole Opry in 1957. 2007 marked the 50th year that Porter performed with the Grand Ole Opry and with the assistance of Marty Stuart, C. F. Martin embarked on the creation of a D-41 Porter Wagoner Custom Edition to mark the anniversary and honor this fine man for his contributions to Country Music.
While handsomely appointed, the D-41 Porter Wagoner Custom Edition shows traditional Martin quality throughout. The premium solid tonewoods include a top of the finest Engelmann Spruce paired with back and sides of East Indian rosewood for deep, warm timbre and a low profile neck with diamond volute carved from genuine mahogany. The headplate is bound in grained ivoroid inset with fine black/white inlays, and is appointed with Gotoh gold open-geared tuners with matching gold butterbean knobs. The nut and compensated saddle are crafted from genuine bone.
Presented in a Geib® vintage style hardshell case, each Martin D-41 Porter Wagoner Custom Edition guitar features a special interior “Wagonmaster” label personally signed by Porter Wagoner prior to his passing. Marty Stuart, his friend and co-collaborator, has also personally signed the label each of which is numbered in sequence. Authorized C. F. Martin dealers are now accepting orders for the D-41 Porter Wagoner Custom Edition, participating dealers are listed on the Martin Guitar website, www.martinguitar.com. Although the special Porter Wagoner pickguard is available on right-handed models only, either left-handed or right-handed models may be ordered with the option of a standard Martin pickguard at no additional cost.
We are all tremendously saddened with Porter’s passing. It is our hope that his music and his memory will be preserved and commemorated in each of the special guitars that bear his name.
In Memory Of Porter Wagoner 1927-2007
HM BEN HARPER SPECIAL EDITION
Folk, blues, jazz, soul, jam, reggae, rhythm & blues and gospel; Ben Harper embraces them all in music both richly evocative and utterly original. In little more than a decade, he – both on his own and with his group, the Innocent Criminals – has gone from underground sensation to international star. And whether laying down cool acoustic rhythms, hot electric solos or sizzling slide riffs, he is a guitarist of undeniable power and panache. Such a versatile guitarist needs an equally versatile guitar. Ben Harper has designed that guitar, one that satisfies his personal preferences.
The HM Ben Harper Special Edition is based on Martin’s M size, which combines a wide body with 000 depth for powerful, yet balanced tone. Superb solid tonewoods throughout contribute to its outstanding voice. The top of rare Adirondack spruce is matched to Adirondack spruce scalloped braces for extraordinary headroom and clarity: back and sides of East Indian rosewood add warmth and projection. The low profile neck with diamond volute is carved from genuine mahogany.
For superb, versatile amplified sound, the HM Ben Harper Special Edition comes equipped with a Fishman Ellipse™ Matrix Blend System, which combines Fishman’s Matrix™. The unit’s controls are accessed through the soundhole, so no guitar side is injured in its installation. To optimize tone – whether acoustic or amplified – the guitar is fitted with a bone nut and compensated TUSQ™ saddle. Gotoh® chrome enclosed tuners with large knobs and a chrome strap button complete the appointments. The body of the guitar is finished in polished gloss lacquer, with vintage toner on the top to enhance its traditional style. The neck receives a satin finish for player comfort.
Delivered in a vintage-inspired Geib™ style hardshell case, each HM Ben Harper Special Edition guitar bears an interior label personally signed by Ben Harper and numbered in sequence. Authorized C.F. Martin dealers will begin taking orders for the HM Ben Harper Special Edition immediately and Martin will post the names of participating Martin dealers on its website, www.martinguitar.com.
OMC-18 LAURENCE JUBER CUSTOM EDITION
Laurence Juber has been on an incredible roll since Martin introduced the OMC-28M Laurence Juber Custom Edition – now one of the most popular guitars in the entire Custom Artist series – in the summer of 2006. It was while in the studio working on his new record that Juber became inspired to propose a fourth Martin namesake guitar.
The OMC-18 Laurence Juber Custom Edition features the same long scale and rounded Venetian cutaway 000 body of previous Laurence Juber signature guitars. Like the 2002’s OMC-18VLJ, this Custom Edition also combines an Adirondack spruce top, Adirondack spruce braces and genuine mahogany back and sides. And consistent with the three previous Laurence Jubers, it doesn’t have a pickguard. In a departure from the previous mahogany Juber, the OMC-18 Laurence Juber Custom Edition’s modified V mahogany neck features a squared diamond volute.
The black ebony fingerboard bears elegant abalone pearl “Doppler dot” (i.e. sequentially smaller) position markers at the 5th, 7th and 9th frets, a feature both of the OMC-18VLJ and Style 18 Martins from the early 1930s, but – in keeping with the Laurence Juber guitars’ tradition of elegance – no signature. The OMC-18 Laurence Juber Custom Edition showcases Martin’s flawless high gloss lacquer finish throughout, including the neck and headplate.
This Custom Edition is available – at extra costs – with a range of factory installed electronics and an optional sunburst top. A left handed guitar also may be ordered at no additional charge. Each guitar is delivered in a Geib™ style vintage five-ply hardshell case. The Martin OMC-18 Laurence Juber Custom Edition guitar bears an interior label personally signed by Laurence Juber and numbered in sequence. Authorized C.F. Martin dealers will begin taking orders for the open-ended OMC-18 Laurence Juber Custom Edition immediately and participating dealers will be listed on the Martin website, www.martinguitar.com.
OM-28M Rosanne CASH SIGNATURE EDITION
Singer and songwriter Rosanne Cash’s music exemplifies the lady herself: intense, honest and timeless. The eldest daughter of country icon Johnny Cash, Rosanne Cash may be best known as a country artist, but her music encompasses pop, rock & roll, rockabilly, folk and blues. So when asked to design the Martin Signature Edition guitar that would bear her name, we at Martin expected she would base it on the 00-18 Martin she used to play on the road or perhaps one of the Martin dreadnoughts she keeps at home. We were wrong. Ever the independent, Rosanne decided on an OM and the guitar she created – the OM-28M Rosanne Cash Signature Edition – is the guitar she always wanted.
A classic Martin OM, the Rosanne Cash Signature Edition features superb solid tonewoods; Adirondack spruce top and back and sides are rare Madagascar rosewood, with the former divided by an HD-28 zigzag center strip. The combination of body style, tonewoods and bracing give this instrument extraordinary power, balance and clarity. The low profile neck sports a solid, squared headstock and Gotoh nickel open back tuners with butterbean knobs. The spruce top is left natural (without vintage or aging toner) and Martin’s flawless polished gloss finish on the body and neck highlights the beauty of the tonewoods and appointments.
The Martin OM-28M Rosanne Cash Signature Edition features a decorative “signature” that ranks among the most distinctive in the entire Signature Edition series. On the ebony fingerboard, below the long pattern “diamonds and squares” position markers, “CASH” is inlaid between the 19th and 20th frets in white block letters. “The lettering is very special,” she explained. “I found a white patch with “CASH” in block letters in my dad’s office right after he died and I sewed it onto my guitar strap. When we were designing the guitar, I asked Martin to base the fingerboard lettering on that typeface.”
Delivered in a Geib® style hardshell case, each Martin OM-28M Rosanne Cash Signature Edition guitar bears an interior label personally signed by Rosanne Cash and Martin Chairman C.F. Martin IV, and numbered in sequence with the total number in the edition. Left-handed guitars may be ordered with no additional charge: factory installed on-board electronics also are available at extra cost. The number of Martin OM-28M Rosanne Cash Signature Edition guitars made will be strictly limited to the orders received. Authorized C.F. Martin dealers will begin taking orders immediately and the names of participating Martin dealers will be posted on the Martin website, www.martinguitar.com.
HJ-38 STEFAN GROSSMAN CUSTOM EDITION
One of the world’s foremost authorities on acoustic blues, Stefan Grossman has performed, recorded, taught, produced, transcribed and archived this classic American music for more than 40 years. However, Grossman’s musical palette extends well beyond the genre for which he is best known, as he noted in choosing Martin’s J (for Jumbo) body as the starting point for his namesake HJ-38 Stefan Grossman Custom Edition guitar.
Carefully selected premium tonewoods enhance the HJ-38 Stefan Grossman Custom Edition’s big, versatile sound. Back and sides of beautiful Madagascar rosewood provide definition and depth akin to the rarer but prized Brazilian rosewood. The Sitka spruce top contributes rich, smooth tone. Carved from genuine mahogany, the modified “V” neck offers comfortable chording and plenty of room for picking pyrotechnics.
The handsome appointments on the HJ-38 Stefan Grossman Custom combine tradition with a bit of pizzazz. The Golden Era® Style 45 rosette showcases a center ring of intensely colored paua abalone. The solid square tapered headstock features a polished headplate of Madagascar rosewood inlaid with “C. F. Martin” in abalone block letters and fitted with gold Waverly® tuners. The black ebony fingerboard highlights the rare “Wurlitzer” pattern of position markers in abalone pearl: Maltese cross at the 3rd fret, two slotted diamonds at the 5th fret, slotted square at the 7th fret, two slotted diamonds at the 9th fret, slotted square with cat’s eye inlays at the 12th and 15th frets. Martin’s flawless gloss lacquer finish on the body adds to the guitar’s beauty: the neck’s satin finish enhances player comfort.
Each Martin HJ-38 Stefan Grossman Custom Edition guitar bears an interior label personally signed by Stefan Grossman and numbered in sequence, and each comes with a Geib® style hardshell case. Left-handed guitars may be ordered at no additional charge: factory installed electronics may be ordered as an extra-cost option. Authorized C.F. Martin dealers now are taking orders for this open-ended Custom Edition and participating dealers will be posted on the Martin website, www.martinguitar.com
Ben Harper : “Hermann Weissenborn est un émigré Allemand qui s’est installé à Los Angeles. Il construisait ses guitares avec du bois de Koa (une essence hawaïenne). Le bois de cet instrument a une résonance unique qui reste dans l’air longtemps. Le son de la Weissenborn ne s’éparpille pas autour de vous, il vous pénètre, vous traverse. Tout slide guitariste qui se respecte cherche à en posséder une un jour.”
“Ca m’a demandé énormément de travail pour arriver à faire sonner une guitare slide comme ça mais c’est un tel accomplissement. Je commence juste à sentir que j’arrive enfin à quelque chose, à un point où je contrôle vraiment ce que je fais.”
“Même électrifié le son reste différent. A l’écouter, tu peux dire que ce n’est pas une Strat ni une Les Paul.”
Le djembe Leon Mobley Signature de REMO a connu un grand succès. Il est considéré comme le djembe le plus facile à utiliser dans le monde. Avec des innovations concernant la portabilité, l’accordage, la longévité, et l’accessibilité ce djembe est une merveille qui fait le bonheur de nombreux batteurs professionnels et amateurs depuis des années. Ce djembe admirablement conçu amplifie, la passion de Leon Mobley pour jouer du djembe, ainsi que son respect et sa dévotion profondément enracinés pour les traditions de ses ancêtres d’Afrique. Leon Mobley croit en Unité, Paix et Passion en jouant du djembe et partage sa joie avec tout le monde, en particulier lorsqu’il joue aux côté de Ben Harper.
La nouvelle finition du djembe Leon Mobley est conçue par les meilleurs graphistes REMO employant un équipement du dernier cri, tout en travaillant étroitement avec la vision et l’inspiration de Leon.
Les symboles d’Adinkra représentent des proverbes et des maximes populaires, des attitudes ou comportement particulier, des concepts uniquement liés aux formes abstraites. Les symboles d’Adinkra sont trouvés sur plusieurs tissus traditionnels produits au Ghana. Un autre tissu bien connu est le tissu de Kinte.
REMO’S key-tuned djembe has had great success as the most user friendly djembe in the world. With features like portability, tunability, durability, and playability it’s no wonder why it is the choice for thousands and thousands of professional and recreational drummers for years. This beautifully designed drum exemplifies Leon Mobley’s passion for playing the djembe drums as well as his deep rooted respect and devotion for the traditions of his ancestors from Africa. Leon Mobley’s believes in Unity, Peace and Passion for playing the djembe drum and shares his joy with the world whether on stage with Ben Harper or in a drum circle.
The new Leon Mobley fabric finish is designed by REMO’S top graphic artists using state of the art equipment and technologies while working closely with Leon’s vision and inspiration. The Leon Mobley finish is one of the new fabric finishes in REMO’S DESIGNER’S TOUCH graphic arts line. Designer’s Touch Finishes by Remo Featuring original designs created by our own graphic artists, the Designer’s Touch finishes use state-of-the-art technology to transfer artwork directly onto fabric. This process enables us to create unique graphics on our instruments with incredibly rich, vibrant and durable imagery.
The Adinkra symbols represent popular proverbs and maxims, record historical events, express particular attitudes or behavior, or concepts uniquely related to abstract shapes. The Adinkra symbols are found on several traditional cloths produced in Ghana, Africa. Another well known cloth is the Kinte Cloth.[/lang_en]
Petit concour organisé par EMI Music,
Il s’agit simplement de donner le nom du premier single de l’album LIFELINE.
Vous pourrez ainsi gagnerune guitare Epiphone AJ 500 M
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Voici le premier article consacré aux instruments utilisés par Ben ou ses musiciens:(extrait de www.asherguitars.com)
“Bill Asher and Bern Harper have teamed up once again to create an amazing modern-day lap steel drawing on inspiration from the classic ’59 Gibson Les Paul. The Harper Series II Limited Edition will feature a flame maple top with cherry sunburst finish in nitro cellulose lacquer, a pair of Seymour Duncan Custom Shop ’59-Style Humbuckers, T.O.M. bridge and tail-piece by Tone Pros.
Production will be limited to only 100 instruments, each bearing signature logos of both Ben Harper and Bill Asher. The model will also come with a special signed limited edition certificate of authenticity.”
* style: lap steel
* scale length: 25 inches
* neck & body: neck through solid Honduras mahogany with cylindrical tone chambers
* top: flamed maple
* pickups: 2 Seymour Duncan Custom Shop ’59-Style Humbuckers
* pickup switching: three-way toggle
* controls: master volume and master tone for each pickup
* knobs: gold top hat
* fret board: koa
* bridge: T.O.M. by Tone Pros
* tailpiece: Featherweight by Tone Pro
* machine heads: Kluson Deluxe with keystone buttons
* nut: bone
* string spacing: nut: 1 3/4 inches, bridge: 2 1/8 inches
* color: cherry burst
* finish: nitro-cellulose lacquer
* number of frets: 22
* strings: Asher Electro Hawaiian Lap Steel strings
* case: custom hard shell case by Cedar Creek
* price: $2800 US dollars (plus shipping); deposit required: $1400 US Dollars
[lang_en]Ben Harper: Guitar effects[/lang_en][lang_fr]Ben Harper: Pédales d’effets guitares[/lang_fr]
• Ernie Ball volume pedal
• Vox V847 wah
• Teese RMC wah
• Ibanez TS808 Tube Screamer Original
• Ibanez AD99 Analog Delay
• Electro-Harmonix Small Stone phaser, Demeter Tremulator
• Ernie Ball volume pedal
• Vox V847 wah
• Teese RMC wah
• Ibanez TS808 Tube Screamer Original
• Ibanez AD99 Analog Delay
• Electro-Harmonix Small Stone phaser, Demeter Tremulator
• Line 6 DL4